Blick von oben auf zwei Hände, die einen Becher auf einer Töpferscheibe formen. Die Umgebung ist mit Ton bedeckt, ein Drahtwerkzeug trennt den Becher vom Drehteller – Moment der Handarbeit in der Keramikherstellung.

Behind the scenes: This is how our stoneware is created

We have always wanted to have something unique in our shop, something very special: our Steingut products. After a long search, a few years ago we found a wonderful manufactory in Portugal that fulfills this wish for us. They lovingly handcraft our Steingut products such as the Becher, bowls, and cups. Today we want to take you step by step and show how these products actually come into being and why they are so special to us.

Several unglazed ceramic Cups stand to dry on a wooden turntable in the workshop – the first step after throwing on the wheel on the way to the finished Cup.

Everything starts with the clay: it is first shaped into the appropriate form. For this, it is rolled and cut so that our master potter already holds the rough shape of a Cup in his hand. 

Three image sections show the beginning of the manufacturing process: fresh clay is extruded by machine, cut into uniform strands, and prepared for further processing.

Afterwards, the mass goes to the potter's wheel so that our master potter can make the Cup. With lots of water, patience, and skilled hands, small unique pieces are created here every day.

Two work steps in the production of the Cups: On the left, the shape of the still soft clay is carefully refined on the potter's wheel; on the right, the Cup is cut off the turntable with a wire loop – all lovingly handmade.

As you can see, the tape measure is always used here again so that all Cups get approximately the same size. 

Master potter during the careful inspection and reworking of a handmade Cup – with a ruler and trained eye, he ensures consistent quality and perfect shape.

The Cups now get a little rest time in the fresh air. After about a day, a special moment follows: the stamping. Under each Cup you will find our Eulenschnitt logo – and on the front a lovingly selected saying that may accompany you through the day. Before continuing, the Cups are gently corrected once more with a sponge. Small unevennesses are smoothed, edges refined – this is how your Cup gets its final, characteristic shape. 

Three-part image series from the ceramic workshop: On the left, a potter carefully sands the Cup by hand with a sponge. In the middle, the lettering is engraved by hand into the Cup with a small tool (stamp). On the right, countless untreated Cups stand neatly lined up on shelves to dry.

If you buy a cup and not a Cup from us, the handle is also attached at this moment. For this, the clay is rolled and cut and then attached at the correct angle with great finesse. 

Three-part image of the artisanal handle assembly: On the left, the master potter rolls out long clay snakes that will later be shaped into handles. In the middle, a shaped handle is carefully attached to a still unfired Cup. On the right, the master potter carefully checks the firmly mounted handle with both hands for fit and stability.

Now the first long drying process in the drying room and then the first visit to the kiln are due. At around 1000 degrees, the clay becomes hard and stable. Only when the Cup has really hardened and cooled can the Glazing (the white rim at the top of your Cup) take place. 

Two large drying carts with numerous raw ceramic Cups, neatly stacked on several wooden boards. On the left, the carts stand in a workshop with a fan; on the right, the Cups dry outdoors in the air – an important intermediate step before firing.

Finally, the Glazing! The Cups are gently dipped into a specially prepared liquid made just for us and softly swirled. This step requires a lot of sensitivity, as the right amount determines the final appearance.

Maybe you’ve already noticed: the fine brown speckles look a little different on each Cup. They are part of the glazing – and depending on how the Cup is dipped, the speckles spread more densely or more finely. This way, each piece becomes a little unique.

Doesn’t the Cup already look quite special now?

Two hands carefully dip a dried, unglazed ceramic Cup into a bucket of white glaze. The glaze is applied in a steady motion – an important step before the Cup is fired.

Then it’s time: back into the kiln once more! In this second firing phase, the clay changes – depending on where the Cup is in the kiln, it becomes a bit yellower or grayer. Each piece thus becomes its very own little work of art.

Several rows of glazed ceramic Cups stand close together in a kiln. Visible flames show the start of the firing process, during which the Cups are hardened at high temperatures and the glaze is fired in.

Now the Cups can rest and cool down properly for several days. Where better than in Portugal? 

A green rolling cart is carefully pulled out of a large ceramic kiln, loaded with freshly fired Cups neatly stacked on several levels – ready for their final finishing touch. On one of the shelves in the workshop stands a detailed Cup embossed with “PAPA” and a small heart – a loving symbol for handcraft and personal messages.

Finally, another quality check follows – each piece is inspected, finely sanded by delicate hands, and lovingly prepared for shipping. The packages are folded and the Cups carefully packed.

The finished Cups are carefully placed in protective cardboard packaging – each one gets its place in a sturdy box. With practiced hands, a person folds the boxes for shipping so that the handcrafted favorites arrive safely at their new owners.

About 7 days pass from the first rolling to the packaging. A week full of handcraft, dedication, and Portuguese lifestyle. Now the many unique pieces can make their way to Germany. Safe travels ♥️

We hope that with every Cup, every bowl, every plate, and of course every other unique piece made of stoneware, we send a piece of Portugal to your home. Hopefully, you hear the sound of the waves in between, feel the warm sun on your skin, and occasionally catch the scent of fresh, still warm Natas in your nose.

Three impressions from Portugal: rough Atlantic waves crashing against steep cliffs under a gray sky, people strolling through charming cobblestone alleys of a fishing village with white and blue houses, and finally, golden-brown baked Pastéis de Nata with caramelized tops – pure Portuguese lifestyle.

Your Rina from Eulenschnitt 🖤

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4 comments

es war sooo schön dort 🤍

lini

Ich finde es wundervoll, wie in diesem Beitrag die Liebe zur feinen Handarbeit und die Verbindung zu Portugal so lebendig spürbar wird. Vor allem berührt mich als Portugiesin das Wissen, dass diese einzigartigen Steingut-Unikate tatsächlich in meiner Heimat gefertigt werden – mit geübten Händen, Hingabe und echten portugiesischen Lebensgefühl. Danke, dass ihr uns ein Stück Portugal nach Hause schickt! Und ich freue mich total Botschafterin für die Marke zu sein !

Nicole

Vielen Dank für die tollen Eindrücke vom Herstellungsprozess der wundervollen Tonbecher und herzlichen Dank auch für die fachmännische Hingabe bei der Herstellung nach Portugal. Die Becher sind wundervoll, einfach traumhaft. Inzwischen habe ich mehrere und ich liebe es morgens nach dem Aufstehen meine Kaffeegetränke daraus zu trinken. So kann man perfekt in den Tag starten. Als Geschenk für meine liebsten Freundinnen habe ich sie inzwischen auch entdeckt, z.B. als Einzugsgeschenk, zum Geburtstag oder einfach mal so. Ich bin auf weitere Motive zum Sammeln gespannt! 🥰🤗

Sandra B.

Oh wie schön, dass ihr uns auf diese besondere Reise mitnehmt. Ich habe schon ganz viele wunderbare Steingut-Produkte von euch, gerade die Becher sind mein absolutes Highlight. Jetzt genieße ich sie noch mehr als vorher! ❤️

Liebe Grüße aus Berlin
Julie

Julie

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